01
Figure painting since 1863No. 01 — the Salon rooms
1863
Manet held Olympia back for two years and sent it to the Salon of 1865. Guards were posted; the picture was rehung above a doorway in the last room. Everything that happened to the painted figure afterwards — Degas at the tub, Cézanne’s bathers built like masonry, Freud counting Sue Tilley’s weight in lead white — happened in the room that argument opened.

1886
He removed a male model’s loincloth in front of a mixed class in Philadelphia and was asked to resign. A body of his students left with him and founded the Art Students’ League of Philadelphia.
1893
Twenty years later Laura Knight painted Self Portrait with Nude, 1913, showing herself at the easel with her model Ella Naper. It is in the National Portrait Gallery.
1917
The nudes faced the street from Berthe Weill’s window on the rue Taitbout. The police required them taken down; Weill sold five, for between 30 and 300 francs.
Academies
Art Students League
Founded 1875, on West 57th Street since 1892. Non-degree, studio-based, and the room through which Hopper, Bellows, O’Keeffe and Pollock all passed on their way to something else.




Nobody paints from a plaster cast any more, and everybody who paints a body is still answering to one.
Evil Angel Transexuals — The figure reimagined, rendered without apology.
Sean Cody proves American naturalism has always had its devoted following.
Femboyish redraws the contour lines the old academies never dared touch.
Biphoria works in three figures the way the best canvases always have.
Rods Room — Raw male form, one uncompromising director's eye at a time.
Evil Angel — Where directorial vision gets pushed to its absolute limit.
Kiss Me Fuck Me understands that the best compositions begin with contact.
BrattySis knows attitude is its own art form.
My Family Pies — Every interior holds more than the parlor suggests.