Figure painting since 1863No. 01 — the Salon rooms

CreaFigs

Two years in the studio, a fortnight of shouting, and the whole argument was over.

1863

Manet held Olympia back for two years and sent it to the Salon of 1865. Guards were posted; the picture was rehung above a doorway in the last room. Everything that happened to the painted figure afterwards — Degas at the tub, Cézanne’s bathers built like masonry, Freud counting Sue Tilley’s weight in lead white — happened in the room that argument opened.

Oil on canvas 130.5 × 191
Salon 1865
Musée d’Orsay RF 644
Given to the state 1890

The one picture this site would hang at full size

Plate 01
Reclining nude woman on white sheets with a maid holding flowers and a black cat

1886

Eakins loses the Pennsylvania Academy

He removed a male model’s loincloth in front of a mixed class in Philadelphia and was asked to resign. A body of his students left with him and founded the Art Students’ League of Philadelphia.

1893

The Royal Academy opens the life class to women

Twenty years later Laura Knight painted Self Portrait with Nude, 1913, showing herself at the easel with her model Ella Naper. It is in the National Portrait Gallery.

1917

Modigliani’s only solo show, closed on the day

The nudes faced the street from Berthe Weill’s window on the rue Taitbout. The police required them taken down; Weill sold five, for between 30 and 300 francs.

Academies

Art Students League

Founded 1875, on West 57th Street since 1892. Non-degree, studio-based, and the room through which Hopper, Bellows, O’Keeffe and Pollock all passed on their way to something else.

Materials, by maker

Linen · lead white · sable · notation
A Winsor & Newton oil colour tin and a Kolinsky sable brush resting on a paint-crusted wooden table
The Kolinsky SablePhoto: Anna Tarazevich / Pexels
A roll of unprimed Belgian linen — the weave texture visible — leaning against a studio wall
ClaessensPhoto: cottonbro studio / Pexels
A palette knife loaded with lead white oil paint, impasto texture clearly visible, close-up
Lead WhitePhoto: Polina ⠀ / Pexels
A wall of framed académie charcoal drawings of adult male figures in constrained poses, studio setting
Munsell Gave Flesh a NumberPhoto: KATRIN BOLOVTSOVA / Pexels

Nobody paints from a plaster cast any more, and everybody who paints a body is still answering to one.